Lucero-Hammer, Graciela 2008 0-7734-4928-0 136 pages The first English translation of Reyna Carranza’s historical novel of dynastic decline in twentieth-century Argentina.
Austin, Karen 1992 0-7734-9175-9 272 pages Reality/Realidad is the second of Galdós' paired novels which tell the same story from two very different perspectives, and through two very different narrative structures. The first, The Unknown, was an epistolary novel. Reality, presented here in English, is wholly theatrical and dramaticized - an intriguing and, for its time (1889), very innovative, standpoint. It was later reworked into a proper drama, acclaimed by publics and critics alike.
Austin, Karen 1991 0-7734-9444-8 252 pages The Unknown (1889) is Galdós' first and only totally epistolary novel. The narrator, writing to a friend in the country, tells of Madrid's politics, society, amours, characters, and crimes, in lively, ironic, amusing style. This fresh and witty translation retains Galdós' humor and sarcasm on the society and people he knew so well.
Horovitz, Chaim T. 2011 0-7734-3810-6 516 pages This work presents the wide range of influence of the ‘Song of Songs’ on world culture. It demonstrates the long history of confrontation of the immense number of allegorical interpretations with secular (literal) commentaries. This book contains twenty-four black and white photographs and twelve color photographs.
Connon, Daisy 2009 0-7734-4919-1 296 pages This work specifically addresses the productive quality of states of dislocation in Francophone literature, cinema and visual culture. It is the first volume to substantially study dislocation within the French and Francophone cultures.
Smith, Maria T. 2007 0-7734-5528-0 160 pages This study, focusing on select novels by women writers of the African Diaspora, illustrates that a surprising degree of commonality exists among works with obvious geographical, cultural, and linguistics differences – an affirmation of the philosophical essence of the Vodun religion as an antidote to Western spiritual and cultural moribundity. A close reading Zora Neale Hurston’s Their Eyes Were Watching God, Simone Schwarz-Bart’s Pluie et Vent sur Telumée Miracle, and Paule Marshall’s Praisesong for the Widow, demonstrates the way in which these works allude to the Vodun pantheon and ancestor veneration in order to valorize a worldview that recognizes the interconnectedness of all living things, visible and invisible. This is accomplished by locating each novel within its socio-political context and developing African diasporic literary tradition wherein African-derived beliefs have become sources of cultural resistance. After this reconstruction, the author is able to explicate the representation and function of Vodun as it is employed by each of the authors under consideration.
Rudat, Wolfgang E. H. 1992 0-7734-9579-7 288 pages This study provides an intense examination of textual details of The Sun Also Rises, specifically addressing the fact that the novel is filled with wordplay, jokes, and allusions. It also devotes space to Hemingway's concern with sexual identity, sexual crossover, and androgyny. It intends to liberate Hemingway from the "legend of himself".
Davidson, Phebe 2001 0-7734-7342-4 156 pages Six wide-ranging essays which track the evolving representation and understanding of stories and themes, an exercise in seeing where a particular idea, image, or sequence of events will lead. For example, Chapter One traces the evolution of the black/white masculine friendship pair from James Fenimore Cooper through Die Hard to The Green Mile. Chapter four discusses Thelma and Louise and Leaving Normal as complementary cultural texts which serve to extend gender definitions found in earlier American literature and which continue actively to engage men and women in American culture today.
“There’s nothing ordinary about Davidson’s always interesting insights throughout these six essays. . . . An engrossing, original look at film, energetic and lively. As a cultural observer, Davidson is sensitive and conscientious, and she reveals the American myths that both imprison and liberate.” – Book Reader
Brown, Kellie D. 2005 0-7734-6158-2 360 pages Since the earliest civilizations, a connection has existed between music and the literary arts. From the Old Testament and ancient Greek poets to the great operatic masterpieces of the nineteenth century, music and words have forged an inseparable bond. This relationship is not only seen in musical genres but in a prolific output of novels for adults and children that contain musical themes, characters, and/or settings.
This book is the result of many years of research into fiction that has this musical connection. Focusing on novels mainly from the twentieth century, this volume contains an extensive annotated list featuring works for adult, young adult and juvenile audiences and also represents a wide range of musical genre from classical to jazz to rap. Following the annotations, this book provides a comprehensive listing of all titles sorted by reading level and by musical genres to assist librarians, educators, and readers in finding the precise book for a given need or interest.
Heaney, Peter 1995 0-7734-9026-4 244 pages After an introductory essay on the history of Grub Street, there follows works on the subject by Ned Ward, Daniel Defoe, Tom Brown, Jonathan Swift, John Arbuthnot, Alexander Pope, Richard Savage, Leonard Welsted, Colley Cibber, and several anonymous writers. The volume includes both familiar works (Swift's A Modest Proposal. . . and Pope's The Dunciad [Book II]), as well as more obscure and hard-to-find works.
Brown, Noelle 2024 1-4955-1261-4 112 pages "Gelis's style is not one that lends itself to easy translation into American English, where conciseness and straightforwardness is paramount. In this 1825 novella, Genlis winds ideas into concentric circles, deftly continuing ideas with semi-colons. For the most part, we have preserved this sinuous sentence structure, separating ideas only when needed for clarity. In addition, we found the choice of verb tense to be fascinating and so have retained the sometimes-confusing moves between present, past tense and more. In some passages, we felt that Genlis ludically shifts between what we are expecting to find and what our ears/eyes absorb." -from the Translators' Introduction
Morgan, Gwendolyn A. 2001 0-7734-7647-4 228 pages Anglo-Saxon poetry has increasingly become the province of a few specialists sufficiently acquainted with the Old English language, poetics, and culture to read it in the original. Except for Beowulf and standard anthologized versions of the more famous works, most Anglo-Saxon verse remains unavailable to modern English readers. This volume offers a sampling of the Anglo-Saxon shorter poems in modern recreations which remain literally accurate as well as imitative in specific prosody. With its arrangement, introductory materials, and specific selections, it also provides the reader with a sense of the Anglo-Saxon world view. In many cases it provides the only modern English translation of these works.
Desvignes, Lucette 2010 0-7734-3908-0 308 pages Translated into English for the first time, Lucette Desvignes examines, through her fiction, the relationship between animals and humans. Liberating animals from circumstances that often imprison them, Desvignes helps us to discover their unique personalities and the joy they can bring to the people around them.
Westphalen, Linda 2012 0-7734-1593-9 480 pages This book examines life history writing by Australian Aboriginal women in the context of ongoing negotiations about one's status and claims to country. It uses a methodological combination of literary analysis, history and anthropology to draw out the distinctive cultural heritages held in palimpsest within texts.
Raventos-Pons, Esther 2012 0-7734-2643-4 288 pages Examining modern interpretations of Spanish literature and art involves discussing the works from varying perspectives. The authors of these essays investigate the concept of narrative as portrayed by Spanish authors. Most of the essays discuss contemporary art, but others study art and literature from the Middle Ages up until the present day.
Torres-Pou, Juan 2002 0-7734-7307-6 164 pages Writers include: Lindaura Anzoátegui de Campero; Rosa Duarte; Amelia Francasci; Maria Firmina dos Reis; María Amaparo Ruiz de Burton; María Mercedes Santacruz y Montalvo; Ramón Emeterio Betances; Eduarda Mansilla; Leonor Villegas de Magnón.
Wye, Margaret 2009 0-7734-4769-5 280 pages This is the first sustained analysis of Jane Austen’s Mansfield Park in conjunction with her two Bath novels, Northanger Abbey and Persuasion. It is a careful examination of the organization and background of these interconnected worlds and demonstrates the importance of the Palladian influence on Austen’s Bath, and her awareness of the significance of her brothers’ Naval careers. This book contains fifteen color photographs.
Carys, Evans-Corrales 1993 0-7734-9338-7 144 pages This bilingual version of Murado's contemporary beast-fable features both English translation and the original Galician, a language of northwestern Spain currently enjoying a renaissance after centuries of political repression. This collection of riddles in the form of prose-poems presents traditional elements and innovations to the genre which combine to create a highly original portrayal of the nature of desire.
Meyer, Michael J. 2000 0-7734-7835-3 576 pages This volume contains a diverse and provocative collection of critical essays that explore Steinbeck’s preoccupation with the story of Cain and Abel. Among other things, the essays address the issue of how, for Steinbeck, the story of sibling rivalry reflects a deeper, typically American confusion over whether to chose brotherhood over self-satisfaction. A second issue involves whether mankind should work toward unification with those they consider to be personally threatening or whether such threats should be eliminated through violence. This volume probes the complexity of Steinbeck’s reconstruction of this ancient myth and offers both Biblical and literary scholars the opportunity to examine the various ways he incorporated the story into his extensive canon.
Scari, Robert 2001 0-7734-7562-1 424 pages This bibliography consists of a complete list of articles and books dealing with al the works of this major 19th century Spanish author. Each entry is accompanied by a comprehensive summary of its essential facts and claims. An indispensable aspect of the work is the thoroughly cross-referenced index of subjects which allows the user to judge, on the basis of indicated treatment depth, the desirability of closer inspections. All entries in Spanish, with English and Spanish prefaces.
Simmonds, Roy 2000 0-7734-7699-7 304 pages This study will provide readers with a comprehensive insight into his life and work. It examines his evolution as a writer from 1929 until 1968. It explores not only the themes that preoccupied him as a writer, but also the concepts and philosophies that shaped the course of investigations into the mysteries of human nature and psyche. The book also shows how hi interest in marine biology and his friendship with the scientist Ed Ricketts is also reflected in his work, reaching its greatest fruition in the co-authored volume Sea of Cortez. The linking of this ongoing critical review with a close look at his personal life will enable the reader to identify the provenances of many of his novels and to appreciate fully the difficult circumstances in which some of them were written. An extensive bibliography of primary and secondary sources is included, listing all Steinbeck’s uncollected fiction and non-fiction, and the films that have been made from his works.
Lopes, M. Angélica 2009 0-7734-4904-3 184 pages The present volume contributes to the small corpus of Brazilian short fiction currently available in English.
Sedlmayr, Gerold 2005 0-7734-5978-2 420 pages This book provides a comprehensive overview of the work of one of Ireland’s most prominent yet also critically neglected writers, Brendan Kennelly. While covering his output from 1959 onwards, the chosen approach is systematic rather than chronological. Shedding light on Kennelly’s poems, novels, and plays from different angles – “History and Politics”, “Spaces/Places: Country, City, Nature”, “Religion and Ethics” as well as “Gender and Sexuality” – Kennelly’s development is traced from his neo-Romanticist beginnings to a critical and highly provocative postmodern stance, above all in the later long poems: Cromwell, The Book of Judas, and Poetry My Arse. While this study is certainly valuable as an introduction for the general reader, combining in-depth analyses of the most important works with general contextual information, the embedding of these analyses within a larger theoretical framework (including deconstruction, postcolonial theory, or gender studies) will also challenge the more experienced Kennellyan. Brendan Kennelly is a painstaking critic of today’s complacencies, inhibitions and violence, a scrupulous analyst of society, and an uncompromising reader of the past who, nevertheless, remains self-critical throughout.
Gutiérrez, José Ismael 2005 0-7734-6225-2 228 pages Along with the reshaping of territories, and socio-economic and cultural dimensions which took place on a worldwide scale, the last few decades have also witnessed a reshaping of the spectrum and voices of Latin-American writers that have created, revisited and suffered the complex and multifaceted phenomenon of exile. Jose Ismael Gutierrez's work shares this concern, namely the need for research, which for some time has been enriching the Latin-American literary bibliography in these parts, as never before. Linked to one of the essential discursive categories of the literary phenomenon in the New World -territorial displacement as a system, involuntary displacement and the stigma of exclusion- and being based on points of view drawn from sociology, politics, philosophy, psychology and culture in general, this study deals with the experience of exile in the works of three Spanish American writers: the Cuban authors, Reinaldo Arenas and Manuel Diaz Martinez, as well as the Uruguayan author, Fernando Ainsa.
Chapman, Edgar L. 2003 0-7734-6799-8 312 pages These essays analyze the important sub-genre of science fiction called alternate history, stories set in worlds that have been fictionalized by altering some key event in real history. They examine some of the famous themes of this literature: the American South winning the Civil War, and the Nazis winning WWII, as well as analyzing fascinating experiments with the form, such as those by Robert Silverberg and Robert Coover. It fills the void in scholarship in this popular literary form, and contains essays by several very well-known scholars in the fantastic literature field, including Thomas Shippey, Steven Kagle, Robert Geary, Martha Bartter, and Joe Sanders. Moving from the origins of alternate history to discussions of early examples and unusual experiments with the genre, the essays deal not only with print literature but also with film and graphic novels.
Burgess, Gordon J. A. 1999 0-7734-8032-3 278 pages This is the first full-length computer-aided examination of Goethe's novel. This study focuses on a close critical analysis of the text, underpinning its findings with often incontrovertible evidence based on the outputs of computer-generated indexes and concordances. The examination of the text itself is complemented by an overview of critical attitudes toward the novel, from Goethe's contemporaries down to the present day, and by an outline of the possibilities and limitations of a computer-based text analysis.
Thon, Sonia 2011 0-7734-1392-8 164 pages This study is focused on the contribution of Jorge Luis Borges and Manuel Puig to the formation of an Argentine linguistic identity in the twentieth century. In Spanish
Yan, Jinfen 2009 0-7734-4702-4 508 pages This work examines the range of work in which value theorists are engaging in the first decade of the twenty-first century. The essays illustrate the ways in which value theorists from different parts of the world draw on an increasingly broad range of intellectual thought, including Chinese, European and African traditions.
Kaylor, Noel Harold Jr. 1997 0-7734-8614-3 504 pages This is a state of the art anthology of critical and creative works on the short story for scholars and readers. The collection is unique in that it combines the critical creative approaches to short fiction and includes works by inflential critics and writers who convey their love of the genre through their writing. Contributors include some of the best critics of the Short Story anywhere, talented fiction writers (one a Pulitzer Prize winner).
de Sola, Anne 2003 0-7734-6610-X 203 pages Set in 17th-century France, this novel tells how love gets around obstacles to fulfill its objective in the celebration of marriage. The main story of Madam de Ravezan and her Prince is developed as an echo of the story of her parents, and a template for the story of her children. This novel is a perfect example of what constituted the taste of the reader in late 17th-century France and early 18th-century England. In terms of narrative techniques, it is also an illustration of the evolution of the genre toward modernity.
Mose, Kenrick 1989 0-88946-387-5 350 pages An original approach to the work of the Colombian Nobel laureate, painstakingly researched and documented to show the essential unity that underlies his works even when they differ in form.
Lynch, Audrey L. 2010 0-7734-3745-6 620 pages This book is the first study on the respected Steinbeck scholar Roy Simmonds. It
examines the rise of an unknown, unlettered boy to a giant in Steinbeck studies. Lynch gives an overview of Simmonds life interspersed with tributes from some of the most well-known scholars in the field.
Lawson, Jacqueline 1994 0-7734-9978-4 200 pages For the novelist of the 18th century, the narrative preoccupation with domestic life was expressed through the image of the ill-governed family. The complications arising from courtship, marriage, sexual relationships, adolescence and domestic strife provided the writers of that era with the perfect vehicle for inculcating moral precepts governing family conduct. This explains, in part, the overly didactic nature of the novel in which readers are exhorted to correct improprieties in their own households.
Bachinger, Katrina 1995 0-7734-1272-7 204 pages This is the first systematic analysis of the seventeen tales of Poe's The Tales of the Folio Club. Before he wrote them, Poe had already established a reputation as a poet, and Lord Byron had influenced him more than any other writer. This close reading demonstrates how the Tales appear to be biographies of Byron in disguises, or even in a sense Byronic autobiographies, because their narrators and heroes often exhibit Byron's idiosyncratic mannerisms. The Tales prove to be seamless continuations of Poe's poetry, and major intertexts of Byron's life and works.
Porrua, Enrique J. 2007 0-7734-5256-7 272 pages This work is a study of the “Galician Trilogy” written by Camilo José Cela, consisting of his novels Mazurca para dos muertos (1983), La cruz de San Andres (1994), and Madera de boj (1999). In contrast to the treatment given by Cela to Galizia, his homeland, in some of his previous works, these three novels, all written in the last ten years of his life, he focuses on the three different environments (rural, urban and maritime) as well as in the traditional and modern cultural and idiosyncratic patterns that characterize Galizia, a culturally rich, folkloric and legendary province in northwestern Spain.
Aramu, Paola 2009 0-7734-3896-3 360 pages This work analyzes, in a significant corpus of narrative and theatrical works, the several and chief manifestations of the maternal figure referable to the Great Mother’s images, also by using important studies about Psychoanalysis, Sociology and History of the religions.
Quinn, Deirdre 2008 0-7734-4830-6 284 pages The only collection of its kind to be produced with a single, cutting edge theme, and to gather recent and upcoming scholarship in the area of gender and sexuality. Literary analyses feature prominently in the collection but essays from the disciplines of English, Film and Media Studies and Women’s and Gender Studies help to widen the scope of the topic as well as provide genuinely interdisciplinary dialogue.
Marshall, Cynthia 1991 0-88946-494-4 122 pages Studies that go beyond observations noting thematic connections between C. S. Lewis' theological writings and his imaginative fictions to probe the basic foundation of Lewis' conception of fiction and advance our understanding of the importance Lewis granted to the imagination in perceiving truth. Also, explores the role George MacDonald (who Lewis said "baptized [his] imagination") played in the development of his theory of fiction. Walter Hooper and Ann Loades offer essays on questions of autobiography raised by A Grief Observed; Robert Holyer writes on the epistemology of Till We Have Faces; Frank Riga discusses dreams as conduits for the imagination; and Waldo Knickerbocker discusses Lewis' sense of Christianity as "a true fairy tale."
Connolly, Thomas E. 1999 0-7734-8143-5 156 pages These essays deal with the compositional and literary scope of the authors, resulting from the author's personal interest in and teaching.
Gruber, Meredith Crellin 2000 0-7734-7858-2 544 pages Twenty-two scholars examine ancient and modern classics, ranging from Beowulf and Paradise Lost to Michael Crichton's Eaters of the Dead. Topics include Old English charms, Christian poetry, humour and riddles, Old Icelandic sagas, epic dragons, and women's roles.
Koloze, Jeff 2005 0-7734-5964-2 396 pages Religiously-based ethical aspects of the abortion issue have not been addressed in literary criticism; thus, determining the ethical content of twentieth-century American fiction concerning abortion will assist students of literature and those interested in this controversial issue. Specifically, the author identifies six ethical aspects of the abortion issue discussed in Judaism, Catholicism, and Protestantism. The first ethical aspect concerns the lex talionis passage in Exodus. Second, the concepts of “health” and “life” are considered. The study then examines whether the unborn child can be viewed as an aggressor against his or her mother. Determining whether the unborn child possesses “potential” or “actual” life constitutes the fourth ethical aspect, followed by the closely related categories of “formed” and “unformed” fetuses. The last ethical aspect concerns ensoulment. The study conducts close readings of abortion passages in canonical works by Dreiser, Hemingway, Dos Passos, Faulkner, Brautigan, and Irving. Incorporating biographical criticism and other tools of literary research, the author concludes that canonical works do not address these ethical aspects. Finally, the study addresses the six ethical aspects in other twentieth-century non-canonical works.
Dornisch, Loretta 1991 0-88946-737-4 408 pages A comprehensive introduction to Ricoeur, including full background information on all areas of his work and a bibliography. Includes chapters on: The Human Questions; The Challenge of Faith; The Christian Tradition; The Crisis of Society; A Theory of Symbol; Biblical Research; Ricoeur, Language, and Interpretation Theory.
Koss, Ronald G. 1990 0-88946-692-0 228 pages Examines chronologically nine major texts of the Guillaume cycle, the kinship relationships of the characters (men, women, brothers, and siblings), and the nature, consequences, motives, and functions of these relationships. Demonstrates that the Cycle of Guillaume is a true cycle and details how the bonds of kinship provide the structural framework of the cycle.
Lichtman, Susan A. 1996 0-7734-8796-4 88 pages This collection of essays about women's novels and poetry demonstrates the signs and symbol structures inherent in women's writings and what those systems can mean in identifying a mega-myth for women and women's psychological and physical development. Using Professor Lichtman's earlier book, Life Stages of Woman's Heroic Journey, as the theoretical basis for interpretation, it covers such diverse authors and poets as Christina Rossetti, Zora Neale Hurston, Ellen Glasgow, Dame Edith Sitwell, Virginia Woolf, and the Mabinogion
Condé, Lisa Pauline 1991 0-7734-9440-5 216 pages These essays are a contribution to the ongoing debate on the interaction between feminism and hispanism. Writers examined include Calderón, Galdós, Valle-Inclán, Unamuno, Pardo Bazán, Rosa Chacel, Alfonsina Storni, Bombal, Luisa Valenzuela, and others.
Rosales Herrera, Raúl 2012 0-7734-2588-8 304 pages This book considers Cuban diaspora novels written since 1980, critically examining the autobiographical elements of the works and the authors who wrote them. Incorporating autobiographical theories and Cuban exile history across literary generations, the study analyzes different approaches to fictional self-figuration. It underscores how the autobiographical within fictional discourses does not conceal, but instead reveals more flexible outlets for authorial and diasporic self-representation.
From the beginning the author defines the difference between diaspora and exile. The text then studies three periodic phases in the first-person fictional novels of Cuban writers outside the island, taking into consideration the writers’ own displacement and the nature of the dynamics between exile and adopted country. The author discovers a commonality in all of the novels: strong parallels between history and fiction and overlapping characteristics of the novels’ authors and their narrating protagonists – both displaced subjects. The text represents an important contribution to autobiographical studies and to the study of both Cuban and Latino literature in the United States, but especially to the studies of one of the newest routes of Cuban literature in the world.
Pernot-Deschamps, Marguerite 2009 0-7734-4761-X 168 pages This work examines Neil Jordan’s use of images taken from Irish history, Catholicism, the Irish land and the world of art and the senses, in his films and, heretofore unexamined novels.
Blamires, David 1996 0-7734-1350-2 172 pages Written by Bristol Germanists past and present, this volume includes eleven research essays. Included are: The Babenburg Dukes; Schnüffis' Mirantisches Flötlein; Collin's Regulus; Nestroy and the Redemptorists; Alcoholism in 19th-century drama; Stifter's Bunte Sleine; Duels in Schnitzler's plays; Hofmannsthal's quatrains; Hofmannsthal's Prolog zu dem Buch `Anatol'; a Kafka notebook entry; and Contemporary Women's Writing in Austria. It also has numerous illustrations and a special preface by Professor Emeritus August Closs. Bristol Austrian Studies will appeal to all advanced readers of Austrian literature. Its critical range and stimulating subject matter are a tribute to the sustained interest in Austrian culture that characterizes the teaching and research of Bristol University's German Department.
Patterson, Craig 2006 0-7734-5716-X 424 pages In the 1920’s, the grouping of Galician intellectuals known as the Xeración Nós began, through their wide-ranging literary output and political activities, to articulate and reinterpret essential notions of Galician cultural identity after several centuries of cultural repression and centralization. This book examines both the nexus of inherited positions informing this cultural recovery, and its original reformulation, through the works of the most prominent intellectual of the Xeración Nós, Ramón Otero Pedrayo (1888 - 1976). Otero was an important figure in Galician intellectual and cultural life over the larger part of the twentieth century, especially when expression of Galician distinctiveness, whether political or cultural, was severely limited and largely discouraged by the Franco regime. He is particularly deserving of an in-depth study, especially since this theme so intrinsically associated with him has not yet been written upon from a perspective of cultural history, and also given his sheer intellectual versatility and position as the leading cultural anthropologist of that generation of Galician writers and thinkers. This work is, therefore, an intellectual history of the cultural activity prevalent in the northwest of Spain - from 1918 to 1936 and beyond - and its interaction with other notions of Spanish identity.
Migiel, Marilyn 1993 0-7734-9392-1 204 pages Using feminist, psychoanalytic, and deconstructionist approaches to Torquato Tasso's 1581 Gerusalemme Liberata (Jerusalem Delivered), this book argues that Tasso explored alternate modes of writing and reading by reflecting on the genealogical tales of his non-Christian women characters, Clorinda, Erminia, and Armida. They permit Tasso to explore what it might mean to ask an alternate series of questions about one's relation to the father. By examining the interpretive and ethical questions that rise from the problematic genealogies of Tasso's orphan daughters, we arrive at a better understanding of the relation between the poem's dominant ideology, on one hand, and the stories that it seeks to suspend and displace on the other.
Bromwich, Rachel 1992 0-7734-9455-3 98 pages This work provides a full glossary for the most important and perhaps the earliest of the medieval Welsh tales: Culhwch ac Olwen.
Seed, David 1993 0-7734-9174-0 380 pages The republication of the 1923 study The Handling of Words will help to confirm Vernon Lee's pioneering work in helping to design the method of close empirical analysis of texts which has become so important in Anglo-American criticism. It also makes available passages of stylistic analysis whose value has been partially recognized by their inclusion on some anthologies. Finally, it will show how strikingly Lee anticipates some of the developments in contemporary criticism, for instance the role of the reader as co-creator.
Ponder, Melinda M. 1990 0-88946-117-1 260 pages Focuses on transatlantic historical aesthetic debates which informed Hawthorne's literary and philosophical education at Bowdoin College as well as his subsequent self-designed program of reading at the Salem Athenaeum, showing the way in which Hawthorne's early conception of narrative art and the central importance of the narrative persona grew out of his education in the 18th-century Anglo-Scottish literary theorists. For scholars of Hawthorne, students of the American Renaissance and 18th-century British literature, and generalists who teach short stories.
Gaggin, John 1988 0-7734-2000-2 132 pages Argues that Hemingway's characters can be better understood by linking their stance with the literary tradition of aestheticism which, in the century preceding Hemingway, offered theories advocating the primacy of an artistic perspective and the necessity of dissociating oneself from quotidian activity in favor of leading a contemplative life.
Hurley, C. Harold 1992 0-7734-9546-0 124 pages Ernest Hemingway's lifelong fascination with baseball finds its ultimate expression in The Old Man and the Sea. This work brings together many of the commentaries that contributed individually and collectively to our understanding of baseball's role in the fiction. They exhibit the extent of Hemingway's familiarity with the sport and its participants; provide needed historical annotation on players and managers; explore the complexities of Santiago's relationship to Joe DiMaggio; identify for the first time the actual games and events underlying the fictional account; and enable interested readers to determine for themselves the aptness of baseball to Hemingway's theme of courage and determination. The writers whose work appears here agree that Hemingway, acclaimed as both athlete and artist, frequently sought to transform the evanescence of sport into the permanence of art.
Buske, Morris 2007 0-7734-5218-4 196 pages This book provides fresh evidence suggesting that Ernest Hemingway’s high school education contributed considerably more to his development as a mature writer than has thus far been known. The author makes use of his own research and a collection of Hemingway's high school writing never before published. Adding his findings to the previously available information, the author reassesses the development of Hemingway as a writer. This book contains twenty-eight black and white photographs and six pages of facsimiles.
Bredahl, A. Carl Jr. 1990 0-88946-165-1 168 pages A close reading of a text that has been critiqued as "relatively meaningless" and "trivial" or as "a disappointment," but which Hemingway thought contained some of his best work. Demonstrates the richness and importance of this central but still unread and misunderstood work from Hemingway's major period of creativity. Should be the impetus for a major reexamination of the Hemingway canon and its place in 20th-century American literature.
Quinn, Shelley 1992 0-7734-9738-2 224 pages A new procedure for literary analysis of surrealist imagery, using various procedures: a summary of recent developments in hemispheric studies, discussion of the language and communicative properties of the two hemispheres of the brain, analysis of language modes and types of image - memory, dream, imagination, etc. - and examination of poems and poets that have been called surrealist.
Neuman, Claude 2020 1-4955-0814-5 94 pages Neuman's translation is presented, "In the hope of giving an idea of the music that is heard in the prosody chosen by Hölderlin...(pg 22).
Of Hölderlin's poetic form, Neuman remarks: "They are built upon precise syllabic and rhythmic schemes, inspired by poetic forms used by the ancient Greeks and later by the Romans, which e=were adapted and introdued in German poetry by Friedrich Gottlieb Klopstock half a century earlier." (pg.15)
Neuman, Claude 2022 1-4955-0967-2 92 pages From the author's Presentation(pgs. 9-10):
"During the decade of intense creativity in which he also gave us his Odes and Hymns, Friedrich Hölderlin (1770-1843) wrote his Elegies between 1797 and 1801, and revised them between 1801 and 1807.
"They are composed, like the elegies of ancient Greece, in elegiac couplets, pairs of lines where an hexameter is followed by a pentameter (six feet, then five).
Wyatt, John 2017 1-4955-0590-1 636 pages This is a study in cultural history, tracing the relationship between Archaeology and Literature. It relates how archaeology became involved in literary expression. The author's aim is to study 'authors who engaged in a practical manner with the exploration of prehistory, and out that experience, created literature.'
Tipper, Karen Sasha Anthony 2016 1-4955-0518-9 64 pages Examines the parallel lives, beliefs, and artistic principles of Charles Baudelaire and Edgar Allan Poe, with an analysis of representative verse of Poe from the viewpoint of Baudelaire as he undertook the task of artistic comparison. There is no denying, however, that both men did indeed possess superior analytical minds, extensive knowledge, and an extraordinary vocabulary, and in describing Poe Baudelaire could have been describing himself.
Courtmanche, Jason Charles 2008 0-7734-5017-3 268 pages This work examines the influence of Puritan thought and typology and the persecutorial actions of the ancestors of Nathanial Hawthorne on his literature. Typological allusions and typological layering, in which fictional characters are portrayed as recurrent types found throughout the Bible, myth, and history, require readers to perform an hermeneutical exercise of interpretation in order to gain insight into the nature of sin.
Luczak, Ewa Barbara 2010 0-7734-3748-7 336 pages The book examines fictional responses of African American expatriate writers to Europe in the 1960s. It analyzes the change in the African American perception of Europe and seeks to reveal how African American writers of the 1960s responded in imaginative ways to the European scene.
Fendler, Susanne 2003 0-7734-6754-8 296 pages Since the challenge of feminism to the predominant patriarchal outlook on the world, modern man feels displaced, and a plaintive note has entered the discourse on gender. The problem is not only discussed on an academic level but has become part of popular culture. Role models for men have become as varied as they have been for women since the emergence of feminism. These essays deal with the combined topic of male gender roles and the fantasy genre which allows a particularly wide scope for the investigation of roles.
Williamson, Richard J. 2007 0-7734-5647-3 180 pages This book demonstrates how Nathaniel Hawthorne’s lifelong friendship with Franklin Pierce influenced the author’s literary imagination, often prompting him to transform Pierce from his historical personage into a romanticized figure of distinctly Jacksonian qualities. The book also examines how Hawthorne’s friendship with Pierce profoundly influenced a wide range of his work, from his first novel, Fanshawe (1828), to the Life of Franklin Pierce (1852) and such later works as the unfinished Septimius romances and the dedicatory materials in Our Old Home (1863). Finally, the book shows how Pierce became for Hawthorne a literary device – an icon of Jacksonian virtue, a token of the Democratic party, and an emblem of steadfastness, military heroism, and integrity, all three of which were often at odds with Pierce’s historical character.
Colgan, Kathleen P. 2002 0-7734-7359-9 328 pages Drawing upon the disciplines of literary analysis and political theory, this study reviews and considers the notable influence of actual political events and ideologies on Hawthorne, and argues that he reacted to radical reform ideologies with a set of beliefs and understandings characteristic of the conservative political thinker. It also demonstrates that Hawthorne, like Burke, distinguished between the philosophic justification for the American Revolution and the ideological impetus for the French Revolution.
“The brooding pessimism underlying Nathaniel Hawthorne’s fiction has often drawn scholarly comment, but Kathleen Colgan’s courageous book takes us directly to the smouldering edge of his profound doubts about human nature and social institutions. . . . Colgan’s articulate and deeply researched study pays particular attention to Hawthorne’s attitudes regarding the philosophers, historians, and events connected with the French Revolution, and then identifies the echoes of these opinions in his fiction and essays. The result is a book that reminds us again that we cannot outrun history and moreover, that Hawthorne can never be adequately understood outside the political and cultural context of his times.” – Alan Gribben
MacCarthy, Anne 2000 0-7734-7498-6 324 pages This study considers a new evaluation of Mangan and Walsh, by referring to the problems of Irish literature in a more international context using the theories of Even-Zohar and Lefevere. The book highlights the fact that literary fame depends on ideological and cultural concerns and not solely on aesthetics. By appraising the achievements of Mangan and Walsh, it shows how ideology in Ireland affected their reputations, leading to their marginalization.
Whitehead, Ella 1990 0-88946-384-0 120 pages With an Introductory Essay by John Whitehead.
An Author-Index to the 60 volumes of the magazine, which contained stories by Russian, Czech, German, French, Chinese writers. Many stories and sketches were concerned with peasant or working-class characters. Notable public events such as the Great War, Nazi violence, Italian conscription for the Abyssinian War form some of the themes. Lehmann contributed a sequence of travel notes from around the world.
Roussel Zuazu, Chantal 2011 0-7734-1498-3 272 pages This typology of the XIXth century peninsular travel literature offers a model for possible future studies of the travel literature of different countries and leads to the tracking of a possible evolution of the subgenres proposed. In the light of numerous previous and recent events of classification by authors such as Angela Pérez Mejía, Fernando Cristovaõ, Lily Litvak, Otmar Ette, Charles Batten and many more, and as they transcend a chronological order or an evolution according to the many literary trends of the century, the subgenres are based on content, which was determined to be the best way to proceed. The findings of this study show that what determines the determines the subgenres is, beside the examination of the content, the didactic intention of the author combined with the specific reader horizon of expections for the particular travel book.
Torres, Elena García 2008 0-7734-4832-2 292 pages The study examines the works and literary careers of two of Spain's most commercially successful contemporary female authors: Almudena Grandes (Madrid, 1960-) and Lucía Etxebarria (Valencia, 1966-). The work analyzes issues pertaining to Spanish women writers over the last two decades and how the values inscribed in the authors' literary universes highlight the ambiguous fragility of constructions of identity and gender. In Spanish.
Whitehouse, Roger 2000 0-7734-7487-0 212 pages Edited and with an Introduction by Roger Whitehouse
“The book ranges widely and covers both some of the more expected topics and subjects (e.g. James Joyce and Michael Ondaatje) as well as some more unusual ones especially related to writers from the former Soviet bloc. . . . this variety will appeal to different types of reader and is a refreshing change from the relentlessly abstracted theorisation that often marks work on this kind of topic.” – Professor John Simons
Will, Frederic 2006 0-7734-5773-9 432 pages Dramatizes the well-known rite of passage in anthropology, while addressing this famous male transition as it occurs in three midlife western intellectuals.
Nangia, Shonu 2011 0-7734-1488-6 204 pages This book is a study of male-female relations in two acclaimed novels by contemporary Maghrebi Francophone author and French intellectual, Tahar Ben Jelloun. The problematic of male-female relations in the Maghreb, especially as represented by Tahar Ben Jelloun--with its extensive and overarching implications and possibilities within and beyond the realm of literary enquiry--has not received due scholarly and critical attention up until now. This study responds to the need for a holistic understanding of these male-female relations.
Urban, Misty 2010 0-7734-3776-2 300 pages This study treats the appearance of the monstrous woman in Middle English romance narratives as a self-conscious literary trope that reflects on, and often criticizes, the grounds of philosophical, cultural, and narrative discourse that place women both inside and outside medieval culture, constructing them as Other by biological and social difference yet relying on them for the reproduction and healthy maintenance of the male-governed social order.
Building on current monster theory and adding to research on medieval women in literature, this study reclaims the Middle English romance as a sophisticated literary strategy that, in its narrative reflexivity—and its use of a fictionalized thirdspace—reveals how medieval rhetoric essentially makes women into monsters.
Bachinger, Katrina 1987 0-7734-0552-6 140 pages Contends that Poe's use of Byron as antagonist was an example of the fragmentation of character -- using reflections of Byron as seen by himself, by Poe, by his adulators and defamers -- for literary effect. Besides "William Wilson," also discusses "The Fall of the House of Usher," "Metzengerstein," and others.
Martin, Laura 2000 0-7734-7809-4 224 pages This study shows how the works in question (Goethe’s “Die pilgernde Törin”; Kleist’s “Die Marquise von O. . .”, Hawthorne’s The Scarlet Letter, and James’s Daisy Miller) can appeal to the reader who identifies a message friendly towards woman and her plight, whether this ‘message’ can be considered a part of the author’s intention or not. These works, through mere description of the impossibility of women characters’ situations without any prescription for change, can often be found to carry meanings more critical of the status quo than at first may seem the case. Such an interpretation often goes against the tradition of criticism that has built up around the works, but it is based on concrete evidence in the text.
Timmerman, John H. 2013 0-7734-4466-1 288 pages This eclectic book explores Hawthorne’s study of the ambiguities of the human heart. It reaches in many directions and touches on a surprising diverse set of sources ranging from Plato, Augustine, Milton, Calvin, Luther and Coleridge to Sartre, Heidegger, Munch, C.S. Lewis, Cormac McCarthy, Solzhenitsyn, and an array of Hawthorne’s critics.
Muirhead, Kimberly Free 2004 0-7734-6196-5 644 pages This book provides a "selectively comprehensive" and cross-referenced record of the enormous body of scholarship on The Scarlet Letter from 1950 to 2000, as well as an introductory overview of the major patterns and trends in the critical interpretations of the novel. Designed for both new and seasoned readers/critics, the four-part study can be used in two ways: as a chronological record and historical survey of the development of ideas in criticism over five decades, and as a reference guide that can be accessed through the Author, Subject, and Critical Approach Indexes.
Part I provides a chronological, annotated listing of the most frequently anthologized "Early Reviews" of the novel. Part II offers full citations for "Early Influential Criticism [Pre-l 950]" and is comprised of forty-one landmark commentaries that appeared between 1850 and 1 950. Part III, which makes up the bulk of the project and begins with the year 1950, presents a comprehensive annotated bibliography of Scarlet Letter criticism that includes books, articles, special critical editions, collections of criticism, general student introductions and help books, teaching aids and guides, and biographies. The six-part Resource Guide that makes up Part IV groups together special critical editions, collections of criticism, general student introductions to the novel, teaching aids and guides, bibliographies, and biographies.
Joseph, Eddy 1995 0-7734-2738-4 A collection of witticisms and philosophy, representing over 8500 broadcasts of a radio program of thoughtful moods and humorous quotations, hosted by Eddy Joseph over 35 years.
Johnson, Charles 1992 0-7734-9915-6 744 pages This study examines several traditional philosophical problems as they are presented in works of literature and cinema. Instead of wading through dry, classical discourse, the joy and intrigue of reading and doing philosophy is gained by examining the same philosophical topics in dramatic settings. Works include Lewis Carroll's Through the Looking-Glass and The Hunting of the Snark, Michelangelo Antonioni's Blow-Up, and Joseph Heller's Catch-22.
Scholnick, Robert 2018 1-4955-0695-9 140 pages Dr. Scholnick argues that Poe recognized that 'science" was not a unitary endeavor. Like Shelley, who was influenced by Erasmus Darwin and Hawthorne among others, Poe understood that science was inherently political, and he wrote critically of the famous Bridgewater Treatises, which were commissioned in Britain in the 1830s to demonstrate God's continuing providence. The radical tradition enabled Poe to separate himself from the dominant assumptions of natural theology of his time about such matters as Special Creation and the Fixity of Species.
Reed, Brian D. 2014 0-7734-4353-3 144 pages A new scholarly contribution to eighteenth century British literature and studies reflecting changing gender roles through examination of the behavior of male characters and their social evolution in British Society before and during the Age of Reason.
Fasick, Laura 2003 0-7734-6716-5 216 pages Examines the ethos of intellectual work for men in a set of novels strongly influenced by Thomas Carlyle, the Victorian Age’s prime proponent of work. It questions the longstanding tradition of regarding the 19th century as a time when a stern work ethic flourished in successful opposition to gentler, female-identified values of domesticity and nurture. This book argues that an over-emphasis on domesticity as the source of virtue and happiness led to a devaluation of the satisfactions to be found in intellectual and vocational arenas separate from domestic life.
Erickson, Leslie Goss 2006 0-7734-5911-1 260 pages This study explores the concept of every man and every woman as hero. Using three models of the heroic journey, this book identifies and delineates female and male heroes in a variety of works and genres of postmodern American culture. Joseph Campbell’s thesis as set forth in The Hero With a Thousand Faces (1949) maintains that regardless of manifestation, the heroic journey is one core myth describing venturing human beings as they progress through levels of consciousness to individuation, self-actualization, and enlightenment. Exploring that assertion, the study also uses two post-Campbell models, Carol S. Pearson’s archetypal model The Hero Within: Six Archetypes We Live By (1986) and Susan A. Lichtman’s gender specific model, Life Stages of Woman’s Heroic Journey: A Study of the Origins of the Great Goddess Archetype (1991). These theories are applied to twentieth-century works from various cultures – Latin American, African American, and Anglo-American – and various genres – literature, film and drama. This work will appeal to scholars in a variety of areas including those researching identity, psychological development, and consciousness evolution in literary characters and how that development is influenced by the cultures and systems within which those characters live.
Lynch, Audrey L. 2009 0-7734-4662-1 128 pages This study examines the educational, professional and social similarities in the backgrounds of John Steinbeck and James Dean. Both men struggled with the intellectual limits of small towns, and difficult relations with their parents.
Lewis, Cliff 1989 0-88946-169-4 277 pages Nine original, persuasive, and cogently argued essays, revisionist throughout, that challenge the notion that the Nobel Prize winner was a realist/mystic and reveal him as a humanitarian/intellectual.
Pagliaro, Harold 2004 0-7734-6365-8 231 pages Examines the many heterosexual configurations in the plays and to demonstrate by the accumulation of evidence that the actions of Shaw’s chief characters are typically the result of their sexual concerns, often coupled with issues of principle. This book is a must for all Shaw specialists and will be of great interest to teachers and students of English and Continental drama and literature of the late nineteenth and early twentieth century.
Martin, Terry J. 1998 0-7734-8240-7 120 pages This study analyzes an innovative rhetorical strategy employed in certain of the most challenging and frequently misunderstood stories of the American Renaissance, including ‘Young Goodman Brown,’ ‘Murders in the Rue Morgue,’ and ‘Benito Cereno.’ In these stories, the reader is rhetorically beguiled into sharing the point of view of a character who is self-deluded and implicated in crime, yet whose true nature is never explicitly revealed, except through the works’ latent symbolic structure. Although the study draws on the insights of previous scholarship, it seeks to offer original readings of these stories, identifying them as a significant sub-genre of the modern short story.
Golden, Kenneth L. 1995 0-7734-9023-X 264 pages This study takes a fresh approach to the genre of science fiction -- comparative mythology and Jungian psychology, as a contrast to many books in the field which are concerned with a scientific or Freudian perspective. It will be useful not only to scholars in the field of literary studies, but to those using interdisciplinary approaches. It would also be a useful text for courses in contemporary fiction and cinema, mythology and literature, and psychology and literature.
Moriarity, Michael E. 1996 0-7734-8776-X 340 pages This exegetical survey of world literature from a Saussurean point of view contributes to the application of general semiotics to the study of literature by presenting a critical interpretation of selected passages in the history of world literature. The premise is that paradigmatic and syntagmatic considerations help to define the values and themes of the episteme of a literary period. Although a diachronic approach predominates in traditional studies of world literature with an emphasis on the Western tradition, this work takes a global approach that recognizes the importance of diversity and multicultural studies in fostering a mature semiotics of literature that includes Asian and African literary products as well as European and American texts. Thus, it presents an effort to synthesize and interpret selected literary texts from the preliterate pictorial representations of a cultural episteme to the contemporary representations about postmodern dilemmas such as the AIDS epidemic.
Metting, Fred 2022 1-4955-0997-4 100 pages These essays about ("appreciations of") seven American authors are inspired by many decades of teaching American literature. They "touch upon many of the voices I found most interesting as I discovered so much fun, rich, exciting American culture." -Fred Metting
Finas, Lucette 2003 0-7734-6756-4 364 pages This book will be of interest to scholars working in the fields of literary criticism, literary theory, especially those interested in modern critical theory and 18th- and 19th-century French fiction. The five readings of these French short stories are preceded by a translator’s introduction on Finas’s work; two short pieces by Finas herself in which she describes her approach; and Roland Barthes’s preface to Le Bruit d’Iris (a selection of essays by Finas). The Appendix includes the complete text in English translation of two of the five short stories: Sade, Florville and Courval, translated by Lowell Bair, and Villiers de l’lsle-Adam, The Brigands, translated by Hamish Miles, both excellent translations, now out of print.
Carneiro, Carlos 2022 1-4955-1010-7 360 pages This is an oversized (8 x 10), softcover book.
"There has not been a recent full-scale scholarly work concerned with the transmission of the beheading-game motif from Irish to Arthurian traditions.... [The present work] is focused on three main points of research: (1) The comparison of the several beheading-game narratives in order to assert their points of connection along with their differences; (2) The analysis of the possibility that Wales functioned as the intermediary between Irish tradition and the English and Continental milieus; (3) The tracing of subsequent channels of transmission of Irish motifs from the possible intermediary to England and the Continent." -from the author's Introduction
Carneiro, Carlos 2022 1-4955-1011-5 348 pages This is an oversized (8x10), softcover book. The author: "The development of the churlish headless challenger and his variations does ...seem indeed to be a process about which we have quite clear indications due to the literary evidences. Headless figures which retain their conscience post-decapitation are not exclusive to the beheading-game narratives or other medieval narratives involving some form of decapitation, however. Even in hagiographic tradition we have a similar figure in the form of the cephalophore, a headless saint, and to this day there are creatures sound in Irish folk traditions such as the Dullahan: a headless horseman sharing many characteristics with the churlish challengers we have focused on."
Spedaliere, Jody 2017 1-4955-0527-8 124 pages This work demonstrates how Edgar Allan Poe and Emily Dickinson utilized postmodern literary devices in constructing their poetry and why, therefore, they should be considered the first postmodern poets. It demonstrates how Poe and Dickinson are not merely influences on postmodern poets, but they should be considered postmoderns based on their use and implementation of postmodern literary devices.
Deamer, Robert Glen 1990 0-88946-163-5 232 pages Studies American writers, American culture, and the American dream in terms of myths of region, as dramatized in the lives and writings of major American authors. Place-myths are made to come alive by showing how they are dramatized in these authors' lives and the writings. The final section of the book focuses on the equally important American sense or experience of the loss of place.
Gonzalez-Moreno, Fernando 2017 1-4955-0569-3 312 pages One of main aims of Poe's narrative and poetry is to create powerful and suggesting pictures in the mind of the reader. Even more, Poe offers us an incredible visual richness, experimenting through all the main aesthetic categories, such as the Beautiful, the Sublime, the Picturesque, the Natural, the Artificial, the Grotesque, the Arabesque ... Elements that make is of his work an invitation for painters and artists to illustrate them, to transform them in powerful and suggesting pictures, such as the author that conceived them.
Rogal, Samuel J. 2007 0-7734-5182-X 3388 pages This Seven Volume work makes available for the first time a full collection of all the short stories written by novelist, playwright and author, Sinclair Lewis (1885 - 1951). While Lewis’s novels are generally accessible, his short stories have existed only in bound and unbound pieces scattered throughout the book collections of university and public libraries, along with historical societies and private owners. Now they are together in one set, allowing individuals to read the entire corpus and chart the development of the author across the pages of his works. This volume contains the complete short stories of Sinclair Lewis written between January 1904 and January 1916.
Rogal, Samuel J. 2007 0-7734-5356-3 524 pages This work makes available for the first time a full collection of all the short stories written by novelist, playwright and author, Sinclair Lewis (1885 - 1951). While Lewis’s novels are generally accessible, his short stories have existed only in bound and unbound pieces scattered throughout the book collections of university and public libraries, along with historical societies and private owners. Now they are together in one set, allowing individuals to read the entire corpus and chart the development of the author across the pages of his works. This volume contains the complete short stories of Sinclair Lewis written between August 1923 and April 1931.
Hand, Felicity 2010 0-7734-1428-2 232 pages This book is the first full-length study of the literary output of South African-born, Mauritian-based novelist, Lindsey Collen. This study tackles these aspects of her writing from a cultural studies standpoint, encompassing both a socio-anthropological reading that identifies the creative energies that forge new connections and a literary analysis of the metaficitional potential of her novels as vehicles for the reassessment of social, cultural and historical conventions.
Studniarz, Slawomir 2016 1-4955-0459-X 323 pages Monograph focuses on the poetic output of Edgar Allan Poe offering a new approach to his verse, whereby his poems are treated as unique phono-semantic structures, requiring specific interpretative procedures that bring to light the close correspondence between the phonetic orchestration and the semantic dimension in Poe’s poetry.
Morrison, Mary 1997 0-7734-8636-4 412 pages This study examines the creative processes by which Giraldi transforms his narrative source, usually a novella from his own Hecatommithi, into a five act drama, conforming, more or less, to the conventions of 'regular' classical tragedy. Giraldi, devising these entertainments for the court of his patron, Ercole II, Duke of Ferrara, begins each play by designing an appropriate stage set of the Serlian type (the perspective of a city), to be built and painted by professional artists under his direction; he than adds to the plot new personages, drawn from court life or reflecting topical problems, and places these in situations of tension, with moments of surprise and occasional outbursts of violence. This study demonstrates these points by giving a summary of the relevant novella, followed by a scene by scene synopsis of the play. The detailed synopses will allow all students of drama to appreciate the nature of Giraldi's court entertainments by drawing attention to the non-literary aspects of his dramaturgy, to décor, movement and spectacle. With illustrations.
Tayeb, Lamia 2006 0-7734-5700-3 340 pages This book is a study of the current debates about identitarian thought in relation to contexts of postcolonial resistance and reconstruction. How is identity theorized, constructed and claimed in the context of postcolonial political and cultural struggles against imperial hegemony? How is our understanding of identity inflected by the strengthening alliance between postcolonial theory, on the one hand, and the postmodern pull towards ‘de-hegemonization’ on the other? This study assesses different postcolonial ‘relocations’ in cultural and political discourse and highlights the political uncertainties and theoretical fractures that the persistent appeal to Western frameworks of knowledge engenders. This book aligns three white settler nations, namely, Canada, Australia and South Africa, from a socio-political and cultural point of view. It proposes a study of their twin positions as distinctive avatars of postcolonial experience and as illustrative models of a general postcolonial condition. Furthermore, it raises issues of identity and identity politics on the level of literary discourse as well as in terms of national context. The novels of Canadian Michael Ondaatje, Australian David Malouf, and South African Nadine Gordimer present rich thematic parallels; they engage with particular white settler national issues as well as more general postcolonial questions.
Gilmour, Nicola M. 2008 0-7734-5083-1 360 pages This study offers new insights into the works of canonical nineteenth-century authors, Emilia Pardo Bazán and Benito Pérez Galdós, and into those of the twentieth-century writers, Cristina Peri Rossi and Antonio Gala. The work questions the view that these transvestite narratives subvert traditional images of gender and the act of literary creation.
del Valle, María Jesús González 2002 0-7734-7319-X 404 pages This book examines three translations of Cela’s La familia de Pascual Duarte (those of J. Marks, A. Kerrigan and H. Briffault), grouping them around the morphological, syntactic, textual, semantic and stylistic levels. In Spanish.
“. . . . analyses in full detail the various types of translation rendered by each author, from crass errors to closer approximations to the original. She concentrates on the analysis of single sentences or isolated words examining the problems facing the translator and some of the different ways in which they may be overcome. She is both thorough and extremely sensitive to the nuances of usage in both languages and demonstrates a feeling for and a delight in the treatment and potentialities of translation, illustrating the richness and vigour that pervade the varieties she contrasts and describes. . . . This excellent book which explores many significant aspects of translation, will be of particular interest and value to those interested in comparative translation and particularly useful to teachers and advanced learners of English and Spanish as a foreign language. The work is intelligent, scholarly, carefully executed and well written, in sum, a good and important contribution to the art of translation.” – Gudelia J. Rodríguez
“. . . del Valle’s research on the translations of Camilo Jose Cela’s novels into English is an excellent work, which allows a better knowledge of the Spanish writer through the linguistic analysis of his writing, at the same time, going deep in the problems of contrastive grammar, of translation in general and of Cela’s novels in particular.” – Feliciano P. Varas
Barrow, Rosemary 2007 0-7734-5443-8 292 pages This book explores the reception of the classical world in painting from the mid-Victorian period to the second decade of the twentieth century, by seeking: to identify and interpret the artists’ choices of ancient textual and archaeological source material; to investigate significant relationships between particular works and contemporary literature and society; and to situate Victorian classicism in the visual arts within the practices of Victorian painting and the classical tradition. The nineteenth century witnessed important developments and discoveries in classical scholarship and archaeology which, along with major shifts in general sensibility, inevitably affected both academic and popular perceptions of antiquity. Drawing on such perceptions, painters in Victorian Britain brought new approaches to the visualization of the ancient past. Today, popular notions of classical-subject painting envision escapist images of a dreamy and idyllic ancient world. The stereotype is not wholly without foundation, but it drastically misrepresents the sophistication of Victorian constructions of antiquity which, among much else, make clear distinctions between representations of Rome and Greece and are capable of a strikingly original, and often deeply ironic, use of themes, motifs and allusions. This reality illustrates that, although classicism impinged on Victorian culture in a way that is almost unimaginable today, many artists acquired an unexpectedly precise and sophisticated knowledge of ancient history, literature and archaeology.
Owen, David 2015 1-4955-0382-8 224 pages This critical edition coincides with the broader critical movement towards promoting a better understanding of the development of British literary fiction through women’s writing, an understanding that breaks free of the old story of ‘canonical writers and grand texts’. It contains an introductory study (biographical, wider historical and literary contexts), a short re-assessment of Porter’s writing and a more fully engaged re-assessment of the literary value of Walsh Colville.