Wegener, Larry E. 2015 0-7734-4264-2 332 pages A valuable research tool in the continuing concordance set edited by the esteemed Dr. Wegener consisting of the Contextual Concordance and five appendices: "Capitalized Words and Phrases," "Hyphenated Words," "Deleted Words" with numeric contexts (257-A to 257-E), "Italicized Words," and "Numbers and Special Characters" with a Variant Reading List including Discussions of Adopted Readings, List of Emendations, Report of Line-End Hyphenation, and a List of Substantive Variants.
Newman, Sara 2005 0-7734-6194-9 308 pages This book examines what Aristotle has to say about style, metaphor, the figures of speech, and other less recognized stylistic elements within his corpus. Proceeding from the texts themselves, this study argues that Aristotle's discussion of style in the Rhetoric is conceptually consistent with his treatment of invention in that text. By applying Aristotle's theory to his own intellectual practices in the Nicomachean Ethics, this study also illuminates the way that Aristotle's thinks through his intellectual and rhetorical practices. As such, Aristotle offers to contemporary readers a relatively coherent understanding of what style is and how it contributes to successful and appropriate persuasion in more than the traditional decorative sense. He also demonstrates the range of his own theoretical statements. In these ways, Aristotle provides us with a fresh perspective on ancient and contemporary concerns with language.
Li, Ni 2023 1-4955-1057-3 384 pages This work builds on the model which tries to answer the following critical questions:
>What is meant by Barnes's dictum that memory is identity and identity is memory?
>Do the biographical, fictional and historical narratives fit with one another?
>Does Barnes intend to let his narrative art carry its religious/moral sense?
>Does the narrative art help unravel the riddle and lead him and his contemporaries to sensible moral orientations?
Wegener, Larry E. 2008 0-7735-5444-6 596 pages This valuable research tool allows readers to better understand the richness of Melville’s work and explores the influence of Asian religion and mythology on his writing.
Wegener, Larry E. 1997 0-7734-8438-8 520 pages These volumes consist of the contextual concordance and five appendices: 'Capitalized Words and Phrases,' 'Hyphenated Words,' 'Deleted Words,' 'Possible Simile: as, like, so, than,' and 'Italicized Words,' with a Part-Canto-Line-Page Index, a List of Emendations, a list of Melville's annotated corrections to Clarel, the Forty-Five Satellite Poems of Clarel, and a Part-Canto reference for Character Presence (as Speaker or Spoken of). Since the Northwestern-Newberry edition reproduces the first edition published by Putnam in 1876 (the only authorative text of Clarel) and since Melville used the Putnam edition for his annotated corrections to the text, this was selected as the copy-text for this concordance.
Wegener, Larry E. 1997 0-7734-8444-2 482 pages These volumes consist of the contextual concordance and five appendices: 'Capitalized Words and Phrases,' 'Hyphenated Words,' 'Deleted Words,' 'Possible Simile: as, like, so, than,' and 'Italicized Words,' with a Part-Canto-Line-Page Index, a List of Emendations, a list of Melville's annotated corrections to Clarel, the Forty-Five Satellite Poems of Clarel, and a Part-Canto reference for Character Presence (as Speaker or Spoken of). Since the Northwestern-Newberry edition reproduces the first edition published by Putnam in 1876 (the only authorative text of Clarel) and since Melville used the Putnam edition for his annotated corrections to the text, this was selected as the copy-text for this concordance.
Wegener, Larry E. 1997 0-7734-8446-9 538 pages These volumes consist of the contextual concordance and five appendices: 'Capitalized Words and Phrases,' 'Hyphenated Words,' 'Deleted Words,' 'Possible Simile: as, like, so, than,' and 'Italicized Words,' with a Part-Canto-Line-Page Index, a List of Emendations, a list of Melville's annotated corrections to Clarel, the Forty-Five Satellite Poems of Clarel, and a Part-Canto reference for Character Presence (as Speaker or Spoken of). Since the Northwestern-Newberry edition reproduces the first edition published by Putnam in 1876 (the only authorative text of Clarel) and since Melville used the Putnam edition for his annotated corrections to the text, this was selected as the copy-text for this concordance.
Wegener, Larry E. 1997 0-7734-8448-5 444 pages These volumes consist of the contextual concordance and five appendices: 'Capitalized Words and Phrases,' 'Hyphenated Words,' 'Deleted Words,' 'Possible Simile: as, like, so, than,' and 'Italicized Words,' with a Part-Canto-Line-Page Index, a List of Emendations, a list of Melville's annotated corrections to Clarel, the Forty-Five Satellite Poems of Clarel, and a Part-Canto reference for Character Presence (as Speaker or Spoken of). Since the Northwestern-Newberry edition reproduces the first edition published by Putnam in 1876 (the only authorative text of Clarel) and since Melville used the Putnam edition for his annotated corrections to the text, this was selected as the copy-text for this concordance.
Adler, Joyce Sparer 1992 0-7734-9443-X 200 pages Adaptation of three of Herman Melville's greatest works: Benito Cereno as a libretto for a three-act opera; Billy Budd, Sailor, and Moby Dick as plays.
Davis, Maria 2012 0-7734-3063-6 468 pages While writers such as Cervantes or Moliere could have written their works with humorous intentions, critics have a tendency to offer complex interpretations of their work that negate some of the fun they have. Nevertheless, there has been a trend in the last few years that authors previously considered pessimistic and tragic have been reimagined as comic writers.
Márquez falls into this category, which depicts a difficult Latin American reality with humor and irony. He does this because he cannot fathom the continents actual historical events being portrayed using a realistic approach. As they say, fiction is far more interesting than reality. Because of this he employs hyperbole, employed through his famous technique of “magical realism”, which uses humor to create a release, or catharsis in the readers.
Seaver, Paul W. Jr. 1992 0-7734-9886-9 248 pages This is a study of the humorous techniques employed by Jardiel in the novels and plays that comprise his first humorous phase. This first period constitutes a time of experimentation with audacity and inventive verve of new humorous themes and techniques, his establishment on the Madrid stage as viable theatrical author, and the development of his characteristic style. Based on his new esthetic precepts of renovation of the comic form, he developed a personal style of writing called "jardielism," characterized by hyperbole, the wildly ridiculous and the highly implausible. Further, as a result of his exposure to Hollywood in the 1930s, his works evidence a strong cinematic quality. The four novels studied are: Amor se escribe sin hache; ¡Espérame en Siberia, vida mía!; Pero... ¿hubo alguna vez once mil vírgenes?; and La `tournée' de Dios. Also examines the humorous structures in eight plays.
In Spanish throughout.
Lee, Cecilia Castro 2008 0-7734-4964-0 392 pages Based on contemporary literary theory, this study analyzes how different narrative strategies produce diverse readings of Rojas’s fables.
This study explores the narrative art of Spanish writer Carlos Rojas (1928- ) based on the analysis of his mature fictional works, or the Trilogies written between 1978 and 1995. The motif that structures expressed in the phrase, “The Dream of Reason and the Nightmare of History,” or from Goya’s Dream of Reason to James Joyce’s Nightmare of History.
Reason is necessary to confront madness (the monsters that the dream or the abandonment of reason produces); likewise it constitutes a blindness, another type of dream, one that leads to the rationalist monster. Rojas humanizes the monster and his tormented characters are called to awake from their personal and collective nightmare.
The study dismantles Rojas’s multiple-layered texts espousing his art of fabulation. Different narrative strategies and theoretical themes lead to diverse readings: mythical, ekphrastic, historical, existentialist, metaphysical, and ideological. The novels form a palimpsest where surrealism and the baroque, the modern and the postmodern, history, art, and myth are layered.
This work is based on contemporary literary theory: Eco’s Open Work, Kristeva’s intertextuality, Hutcheon’s Poetics of Postmodernity, White’s History as Narrative, Turner’s Liminality, Kreiger’s Exphrasis and Bakhtin’s Dialogic Imagination. This book contains six color photographs and two black and white photographs.
Intemann, Marguerite DiNonno 1994 0-7734-2293-5 240 pages Studies the novels and short stories of post-Franco Spain writer Soledad Puértolas, examining the dominant and unifying theme of solitude and loneliness. Literal and visual correspondences are established with the "realistic" paintings of Edward Hopper and other contemporary artists. Puértolas's fiction exposes the social and moral ills of her country and of all men confronting the solitude of their lives at the end of the twentieth century. Indifference and the lack of communication are constant themes, conveyed in a style that is often lyrical. In Spanish
Connolly, Thomas E. 1999 0-7734-8143-5 156 pages These essays deal with the compositional and literary scope of the authors, resulting from the author's personal interest in and teaching.
Rogal, Samuel J. 2006 0-7734-5560-4 504 pages This work shows the sheer quantity of fictional characters that emerge from the novels, short stories and the occasional play of Sinclair Lewis (1885-1951), which contribute significantly to the character, quality and art of American fiction during the first half of the twentieth century. In addition to the summary of each character’s description and function, this guide includes a seventy-page listing of actual persons who are contemporaries of Lewis, and figures from history, literature, science, and philosophy, whose names Lewis felt should be mentioned in a variety of contexts or who were assigned cameo roles. A summary of each novel, short, story or play is included.
Rogal, Samuel J. 2006 0-7734-5561-2 504 pages This work shows the sheer quantity of fictional characters that emerge from the novels, short stories and the occasional play of Sinclair Lewis (1885-1951), which contribute significantly to the character, quality and art of American fiction during the first half of the twentieth century. In addition to the summary of each character’s description and function, this guide includes a seventy-page listing of actual persons who are contemporaries of Lewis, and figures from history, literature, science, and philosophy, whose names Lewis felt should be mentioned in a variety of contexts or who were assigned cameo roles. A summary of each novel, short, story or play is included.
Rogal, Samuel J. 2006 0-7734-5562-0 474 pages This work shows the sheer quantity of fictional characters that emerge from the novels, short stories and the occasional play of Sinclair Lewis (1885-1951), which contribute significantly to the character, quality and art of American fiction during the first half of the twentieth century. In addition to the summary of each character’s description and function, this guide includes a seventy-page listing of actual persons who are contemporaries of Lewis, and figures from history, literature, science, and philosophy, whose names Lewis felt should be mentioned in a variety of contexts or who were assigned cameo roles. A summary of each novel, short, story or play is included.
Birk, John F. 1995 0-7734-9025-6 264 pages This study takes on the interpretation of Billy Budd from a fresh perspective, one lying outside the customary spheres of literature and politics. It examines it in light of the scientific revolution marking both the setting of the story (the late 18th century) and Melville's own age a century later. The author argues that this revolution, made manifest not only in the ever-greater hegemony of the machine but in the written expression of the times (the utopian novel, science fiction), provided a backdrop for Melville to address not so much the plight of an innocent seaman or the relevance of Christianity, as the infiltration of science into the province of art and, by extension, the writing of fiction "calculated to ... egregiously deceive." This perspective can best resolve all the seeming ambiguities of the narrative, as we read beneath the surface to discover who (or what) Melville's Handsome Sailor really is: an ingenious token of aesthetic deception meant to gull all who witness amid a "willful suspension of disbelief."
Martin, Terry J. 1998 0-7734-8240-7 120 pages This study analyzes an innovative rhetorical strategy employed in certain of the most challenging and frequently misunderstood stories of the American Renaissance, including ‘Young Goodman Brown,’ ‘Murders in the Rue Morgue,’ and ‘Benito Cereno.’ In these stories, the reader is rhetorically beguiled into sharing the point of view of a character who is self-deluded and implicated in crime, yet whose true nature is never explicitly revealed, except through the works’ latent symbolic structure. Although the study draws on the insights of previous scholarship, it seeks to offer original readings of these stories, identifying them as a significant sub-genre of the modern short story.
Slade, Leonard A. Jr. 1998 0-7734-8293-8 72 pages Discusses various theories of the White Whale, presenting symbolic meaning and interpretation. Suitable for text use.
Garner, Stanton 2010 0-7734-3707-X 216 pages This work takes a new and decisive look at Herman Melville’s final work of prose fiction, Billy Budd, Sailor (An Inside Narrative). While exploring the novel’s textual, scholarly and critical history, Garner argues that Melville created two Billy Budds and that they exist as co-extensive narratives—one superimposed on the other, both tales occupying the same textual space, using the same words. These narratives operate in a shell-kernel relationship with the outside narrative providing cover for the nestled inside narrative.
Helmbold, Anita 2010 0-7734-4691-5 468 pages This study utilizes a two-pronged approach to examine the rationale underlying the iconography of the frontispiece to Chaucer’s Troilus and Criseyde in Corpus Christi College Cambridge Manuscript 61. It considers Chaucer in light of orality/literacy theory as well as in relation to prelection and interprets the work within a political framework. This book contains one color photograph.
Frier, David G. 1996 0-7734-8836-7 372 pages This study, the first book on Camilo Branco to appear in English, follows in the tradition of a biographical focus on the novelist's work but reevaluates this line of interpretation through a more rigorous approach than that attempted by previous readings of this kind. Camilo's religious sentiment, his sense of maternal deprivation and his presentation of love (in particular the fictional representation of his relationship with Ana Plácido) - topics frequently discussed by previous critics - are reassessed through an examination of non-fiction sources as well as through the novels themselves. In addition, this study establishes for the first time common features in the novelist's perspectives. A new reading is proposed which places Camilo in the context of an intense solipsistic doubt, which in turn leads to a projection of alternative visions of the self which prefigures Pessoa's project of heteronymy and, in a broader literary context, to a sense of existential anguish similar to that of many 19th- and 20th-century writers in other cultures.